The paper which ‘wrap us’ and so familiar from our daily life, is become from common, prosaic, and cheap material to artistic substance for expression. Instead of recklessly use in paper and polluting the environment, the paper gets another aspect of creation that emerges from reusing.

The paper material becomes an ‘independent’ while the designation is changed, when it discovers secrets, led or leads me my creation.

Into my exploring and cultivating the paper material, I go with the reaction of the action – it is soft when it is wet and hardens when dry, wrinkled, elastic, varied textures, smooth and rough, tearing appears as a motif and a ‘language’. Those advantages of the material are given the possibility to expose details onto the surface, to wrap a statue-structure and to make sense of hollowness, or to create a full mass.

Sometimes the structure is made from wireframe or iron rods as materials in order to increase the contrast and the ‘dialog’ between the two materials.

I tend to create on a large scale of reliefs and sculptures, strive for minimalism and influence by the Canaanite art.

During my work in the studio, I like the sound that paper is produce – The wrinkling, tearing, or stretching - A perfect and harmony of intoxication.

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